Edited by Myriam Kiasos

For difficulty talking about qualitative nominations as a whole in this year’s Grammy Music Awards, Guardian speaks in an article in an article, observing that the names claiming awards include so much music stars who have already deleted a major course in the art scene such as Beyoncé. , Billie Eilish, Kendrick Lamar and Taylor Swift as well as new pop talents.

The awards and the candidates

Disc of the year

The Beatles – Now and then
Beyoncé – Texas Hold ‘Em
Sabrina Carpenter – Espresso
Charli XCX – 360
Billie Eilish – Birds of A Feather
Kendrick Lamar – Not Like Us
Chappell Roan – Good Luck, Babe!
Taylor Swift – Fortnight (FT Post Malone)

Since Grammys have expanded the number of participants in the nominations for the most characteristic award of the institution to eight or 10, the columnist observes that it is not unlikely to find it difficult to distinguish the top of the list, which is not particularly true this year.

Lamar has 17 wins from 57 nominations, and while his not like US “destroys” Drake may seem very aggressive to the academy, however the huge cultural impact in the US and the impressive brilliance of the track, to a great extent. It may make a winner.

However, Beyoncé has more grammy than everyone and this may give her the avant -garde.

Continuing in the same vein, the columnist notes that he also thinks that Beyonce will be crowned a big winner in the album of the year as he observes that although the “Ganian” of the competition has never won the category by losing the award to Taylor Swift, Beck, Adele and Harry Styles in previous years.

Trolley of the year

Shaboozey – A Bar Song (Tipsy)
Billie Eilish – Birds of A Feather
Bruno Mars and Lady Gaga – Die with a Smile
Taylor Swift – Fortnight (FT Post Malone)
Chappell Roan – Good Luck, Babe!
Kendrick Lamar – Not Like Us
Sabrina Carpenter – Please Please Please
Beyoncé – Texas Hold ‘Em

Kendrick Lamar’s involvement with the song “Not Like Us” is judged on the other hand as a more likely and fairer victory in this year’s competition since, as noted if we look at the lyrics, no one wrote and performed better this year than Lamar.

Best of emerging

Benson boone
Sabrina Carpenter
Doekii
Khruangbin
Raye
Chappell roan
Shaboozey
Teddy swims

As the category for which the … biggest stakes will be played, the columnist characterizes the first -time category, noting that all candidates seem to have the backgrounds for the win besides Khruangbin who is still a band that despite his ten -year course , on a broader level it is a bit “unknown” in musical things as it is limited to live, obviously meaning that it still plays that it still plays on a somewhat amateur level.

Shaboozey has been the most successful lately, but Sabrina Carpenter had more since her acts make her a new music scene leading the molds while at the same time there is a traditional quality in the composition of her songs that gives her a resonance between the different generation.

At the same time, as a noticeable participation, it is considered by Doechii, the kind of MC that the columnist observes that the Academy – extreme, vital with her highly successful concert at Tiny Desk and her evening television appearances seem to have drawn sufficient attention. so that in December she is on the list of candidates.

In any case, none of the aforementioned is appreciated as the next winner since the prize, most likely and more fairer, is considered to go to Chappell Roan.

Best Pop Solo Performance

Beyoncé – BodyGuard
Sabrina Carpenter – Espresso
Charli XCX – Apple
Billie Eilish – Birds of A Feather
Chappell Roan – Good Luck, Babe!

This is another category that Beyoncé has never won, although the bodyguard does not have the same pop tone as the rest of the songs, while the song of Eilish is pleasant, but not its most characteristic interpretation. Chappell Roan again estimated the winner, although it would be more fairer to beat Sabrina Carpenter.

Best rock interpretation

The Beatles – Now and then
The Black Keys – Beautiful People (Stay High)
Green Day – The American Dream is Killing Me
Idles – Gift Horse
Pearl Jam – Dark Matter
St Vincent – Broken Man

The concentration of Beatles around the piano, with the help of artificial intelligence, was incredibly shocking – and fulfilling a crazy dream for many members of the academy.

Their maximalist but mild song is also one of the best in the class with other candidates not coming out of their comfort zone.

Although the above is of course enough to understand who the winners will be, the Pearl Jam participation with the Dark Matter could also be described as a fair victory.

Highest rap interpretation

Cardi B – Enough (Miami)
Common and Pete Rock – When the Sun Shines Again (FT Posdnuos)
Doekii – Nissan Altima
Eminem – Houdini
Future and Metro Boomin – Like That (FT Kendrick Lamar)
Glorilla – Yeah Glo!
Kendrick Lamar – Not Like Us

And in this category, the most likely and fair victory is that of Kendrick Lamar’s involvement with the Guardian article characterizing Eminem’s Houdini, as excellent technical, piece, but boring and funny, despite the fact that the rapper’s come back of the rapper – Especially with this particular song it was a highlight mainly for the 90s generation.

Best solo interpretation of country

Beyoncé – 16 Carriages
Jelly Roll – I am not okay
Kacey Musgraves – The Architect
Shaboozey – A Bar Song (Tipsy)
Chris Stapleton – It Takes A Woman

In a very special categories that have been characterized by the victories by Chris Stapleton and Willie Nelson, six of the last nine years, traditional ones will have to doubt a little this year.

Musgraves’s song has a beautiful, classic feel and will like all the voters who dislike pop, including Jelly Roll’s glossy pop-rock power ball.

Beyoncé’s victory in a Country category would be historic and there are certainly many waiting for it but Shaboozey will probably triumph here.