Costing £90,000,000, the new ceramic sculpture has been the subject of much ridicule in Cornwall due to its kebab-like appearance.
At over 37 feet tall, the “Earth Goddess” now stands at the center of St. Ostel, taller than the two male giraffes.
Considered the tallest ceramic sculpture in the world, it showcases the community’s china clay heritage.
However, the artwork is mercilessly ridiculed by locals, calling it “sore eyes” on the Saturday after its official unveiling.
Some called it “cruel” and “it looked like a kebab”.
Others argued that the statue was a waste of money that could be spent on equipment that was badly needed in the city, such as road access for the disabled and elderly.
Even Steve Two, a Conservative member for St Austell and Newquay, and even a Conservative member, admits he’s not a fan.
In a statement posted on Facebook, he confirmed that taxpayer money was not spent on the color structure.
The politician added: “Given the number of commentators, I would like to set a record for the recent installation of an ‘Earth Goddess’ statue in Piazza Ilmer in St. Ostel.
“First of all, I would like to mention that I had no part in the design and placement of this sculpture.
“You can also see that local taxpayer money is not being spent on this project.
I think art is subjective. Some may like this sculpture, but it is clear that many do not.
“Personally, if I choose something that reflects the identity, heritage and history of St. Ostel, it would not be an exaggeration to say that I did not choose this design.”
Two explained that the funding itself was part of a much larger award to the 2018 Community and Local Government Sector and the St. Ostelbay Economic Forum.
The “Earth Goddess” was created by internationally renowned artist Sandy Brown, who has been making ceramics for more than 50 years.
“He is a spiritual being who represents our love of the earth and our love of clay,” ITV said.
“I hope it celebrates the unique history of the city and represents our collective and eternal roots with the environment, nature and the planet.”
The curator of the project, Alex Merdin, emphasized that there is no doubt that “this is another idea”.
He added: “Public art is indisputable and has a stake.
But I think people will love it as a wonderful symbol of the future of St. Ostel.
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Source: Metro
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