The statements of her dancers have caused strong reactions Marina Satti at Eurovision, after the grand finale. Greece took 11th place, with Switzerland emerging as the big winner of the competition. Croatia and Ukraine followed.

The fact that Marina Satti didn’t make it to the top ten didn’t seem to bother the audience that much, however, compared to the statements made by her dancers. In a video posted on YouTube, the two men are interviewed by an Azerbaijani channel and describe their Eurovision experience in Turkish.

However, what caught everyone’s attention was their response when the reporter asked them about their origins. As reported by Hüso Çetintaş and Yasin Ahmetoğlu, are “Greek Turks of Western Thrace”.

This statement caused many reactions, as Greece does not recognize that there is a Turkish minority in Western Thrace and speaks of a Muslim minority in the region.

One of the performances that definitely stood out in the grand final of Eurovision was that of Finland, as Windows95Man… stripped down on stage! Windows95 Man, real name Teemu Keisteri, describes himself as “an incarnation of the 90s, freeing a once timid family man from his everyday life.”

The Windows95Man character was “born” in 2013, when Keisteri performed at the Flow Festival. He himself forced the director to “run” behind him, in order to cover his naked images in any way he could. The singer’s move justified the title of the song “No rules”i.e. “without rules”.

Eurovision is the “Citadel” of kitsch and perhaps its last bastion against the seriousness that characterizes the artistic firmament. A music show freed from the formalities and boring, commercial conventions that define all other music events on the planet, as its goal is not the personal recognition of an artist, but the rallying of an entire country in his face.

Since 1980 and the participation of Luxembourg with the song “Papa Penguin” and the singer of the band “Sophie & Magaly” dressed as a penguin on stage, until 2008 and the participation of Ireland represented by a turkey, there are countless kitsch appearances in the context of the institution. As the Italian philosopher-writer, Umberto Eco, has said “the excessive accumulation of kitsch elements constitutes a remarkable stylistic proposition.”