Chryssa Katsarin has struggled to stand in the profession he loves. The stand up comedy. And he is in prepared to fight again if needed. With her talent and her own moral values ​​that are for her non -negotiable and stemming from her life experiences and a difficult childhood. Speaking on the show “Studio 4” and Konstantinos Kouros explained why.

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-Did I think why do you think the world loves you very much?

“I think I have a special relationship with my audience that was built very slowly and gradually because this relationship is true.”

-How did the stand up come into your life?

“I remember gathering 6 of my classmates who had a great deal of confidence and testing the texts to them to see how they will react. I gave my first show to a cafe under the drama school. Then I don’t know how I did. If you ask me now I don’t know how I found the strength to do it … “

-Did the freedom of the profession fascinate you?

“At all. And especially my mom didn’t fascinate her at all. It scared me. I had a terrible desire to work and I would say I would do three jobs as long as I do, if I can make a living with the others and do it for me and my soul. I got to the point of living from the work I love with all my being »

-Where does this power come from?

“This power stems, perhaps from my father. I see the headlines because they never catch the meaning I say. However, I think that when you have gone through such a difficult childhood, then you are frightened by different things, that is, to make a living was not a big deal of me because I knew I would find a job whatever happens. I have worked all my life in irrelevant jobs. I have shared leaflets, I worked in a hug, in a cafeteria, in a clothes shop … “

-Is it easy for you to look at people under the scene?

“I can’t look at them. Especially the small audience has other requirements »

-Have you ever looked at this one who is not laughing?

“No. I don’t want to put people in a difficult position and we can’t like everyone. And I have done a lot of psychotherapy to accept this. Is normal »

-Does satire finally have limits?

“The boundaries must be set by the artist himself. If we put them to him we go to something very dystopian like censorship. “

-I read in an interview that you said that someone had sent you a message to advertise a machine …

“Now I have lost 21 pounds in total. When I had lost 14, a plastic surgeon had sent me and had told me an unthinkable amount to advertise the pounds through this machine – and it was a massage type machine. I’m not going to lie to you … I won’t tell you that I said “please my Lord” and closed the phone because with this amount he gave me I could get a loan and take a house. If the audience that loves me and trusts me, he was listening to me and saw little girls go and make an appointment with a machine that obviously doesn’t do a job – because if he did a job they wouldn’t have to lie – I wouldn’t sleep, I wouldn’t be well. And it’s okay, I’m a complete. “

-Do you get rid of social developments?

“Naturally. All artists must be rejected and I get angry with those who choose not to be placed. You can’t experience an issue like Tempi and not be placed »