We obviously live in times of unprecedented extrovert emotion. Rage and dramatic complaint on stage on a 24 -hour basis
Spyros Moskov comments.
In earlier times there was a clear separation between the private and the public, crystallized and in the obsolete expression “in the house in the house”.
Personal impacts and contradictions, discomfort and indignation, remained in the predominantly field of all battles, the family. They did not have the jurisdiction to invade the public. Mostly the attitudes of the soul, struggle and validity, the highlands and the Hamberp, remained in principle at least in one vestibule, guarded with a distinctive veil, their exposure to the market was considered inadequate.
But the years have passed, and this wise contraction of the priests, that is, the ordinary people, that is, of all of us, was considered a hideout. On the contrary, transparency, that is, old indisputation, exiled all the joys and sorrows of everyone to go out into the bazaar, in the public view and the min. Everyone was converted into kings, rulers of themselves, and therefore their slightest anxiety was considered an attraction. A unprecedented communion of the private was formed, and the worship of the useless community, the deification of the petty, was now cultivated. The public space was flooded with a relentless emotion by repelring rational discussions on the big issues of society and life. Of course, those who exercise true hegemony.
The end of the new honesty is the outbursts of those who lost something or have failed to do something that they considered to be important to them. Like choreographer Tasos Xiarho, who posted a video, in which he watches the tear of his failure to be admitted to the national qualifiers for the song that would represent Greece at Eurovision. Like the variety George Veltsos, who from the Sunday newspaper columns made a great voice and revolted the biblical “Mani, Thekel, Lighthouses” (you judged, weighed, you found themselves liparies) for the members of the State Awards Committee. Complete and emerald, relative screams, instead of folding and endoscopy. We do not judge human characters here, the place in the sun is also the prone to the Coples. But what illusion does they lead them to the belief that their complaint is public interest?
The culture of public bullshit
We obviously live in times of unprecedented extrovert emotion. Rage and dramatic complaint on stage on a 24 -hour basis
Spyros Moskov comments.
In earlier times there was a clear separation between the private and the public, crystallized and in the obsolete expression “in the house in the house”.
Personal impacts and contradictions, discomfort and indignation, remained in the predominantly field of all battles, the family. They did not have the jurisdiction to invade the public. Mostly the attitudes of the soul, struggle and validity, the highlands and the Hamberp, remained in principle at least in one vestibule, guarded with a distinctive veil, their exposure to the market was considered inadequate.
But the years have passed, and this wise contraction of the priests, that is, the ordinary people, that is, of all of us, was considered a hideout. On the contrary, transparency, that is, old indisputation, exiled all the joys and sorrows of everyone to go out into the bazaar, in the public view and the min. Everyone was converted into kings, rulers of themselves, and therefore their slightest anxiety was considered an attraction. A unprecedented communion of the private was formed, and the worship of the useless community, the deification of the petty, was now cultivated. The public space was flooded with a relentless emotion by repelring rational discussions on the big issues of society and life. Of course, those who exercise true hegemony.
The end of the new honesty is the outbursts of those who lost something or have failed to do something that they considered to be important to them. Like choreographer Tasos Xiarho, who posted a video, in which he watches the tear of his failure to be admitted to the national qualifiers for the song that would represent Greece at Eurovision. Like the variety George Veltsos, who from the Sunday newspaper columns made a great voice and revolted the biblical “Mani, Thekel, Lighthouses” (you judged, weighed, you found themselves liparies) for the members of the State Awards Committee. Complete and emerald, relative screams, instead of folding and endoscopy. We do not judge human characters here, the place in the sun is also the prone to the Coples. But what illusion does they lead them to the belief that their complaint is public interest?
Source :Skai
I am Frederick Tuttle, who works in 247 News Agency as an author and mostly cover entertainment news. I have worked in this industry for 10 years and have gained a lot of experience. I am a very hard worker and always strive to get the best out of my work. I am also very passionate about my work and always try to keep up with the latest news and trends.
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